The Long-Time Feud Between Eminem and Candace Owens Flares Up Again on New Album “The Death of Slim Shady (Coup De Grâce)”.
The long-running rivalry between Eminem and Candace Owens is taken to new heights on his latest album, “The Death of Slim Shady (Coup De Grâce).” Although the famous rapper did offer a few compliments throughout the piece, he couldn’t resist launching a barrage of mockery at Owens.
On the songs “Lucifer” and “Bad One,” Eminem continued his sharp verbal assault. Owens, a prominent conservative commentator, took to his official YouTube channel to respond, calling Eminem a “left-wing elitist” and “personating a race he is not.” “
“You’re useless,” Owens said. “Your music isn’t good anymore, Grandpa Shady. He’s a lesson to a lot of people out there that you need to know when it’s time to retire.”
The nicknames Eminem used to target Owens, such as “Grand Wizard,” “Klandace,” and “Grand Dragon,” were not only sarcastic but also very sharp and highly offensive.
In the song “Lucifer,” Eminem raps: “And Candace O, I ain’t mad at her/ I ain’t gonna throw the fact that that bitch forgot she’s black in her face/ Laugh at her, like laugh the cookies she’s endorsing.”
In the song “Bad One,” Eminem continues: “she turned her back on her own race,” a reference to Owens’ public support of Donald Trump and criticism of the Black Lives Matter movement.
The quarrel between Eminem and Candace Owens does not stop at rap lyrics but also deeply reflects the contrast in political and social views between the two. Eminem, known for his liberal and anti-establishment views, did not hesitate to criticize Owens and her supporters.
Fans can listen to the songs “Lucifer” featuring Sly Pyper and “Bad One” featuring White Gold below to get a better sense of this war of words. Eminem’s new album will certainly continue to cause controversy and heated discussions in the music fan community and society.
Listen to Eminem’s “Lucifer” featuring Sly Pyper and “Bad One” featuring White Gold below.
The album “The Death of Slim Shady (Coup De Grâce)” is not only an impressive comeback for Eminem but also a clear demonstration of his ability to use music as a powerful tool to reflect and challenge social and political issues.
